What if the radical potential (if any) of music exists not in its performance and consumption, but in how it is or isn’t archived? Jace Clayton (New York), artist and writer, also known as DJ/rupture, will explore this notion using examples that range from Julius Eastman and Lee Lozano’s conceptual hostilities to black radicality under the banner of brand sponsorships.
Jace Clayton: Radical Discounts
Ecologies of Listening #4
Opening: Neither on the Ground, nor in the Sky