What if the radical potential (if any) of music exists not in its performance and consumption, but in how it is or isn’t archived? Jace Clayton (New York), artist and writer, also known as DJ/rupture, will explore this notion using examples that range from Julius Eastman and Lee Lozano’s conceptual hostilities to black radicality under the banner of brand sponsorships.
Jace Clayton: Radical Discounts
Cooperations
Delinking: What do we as curators, artists and thinkers want?
BE.BOP 2018
Opening: Gods Moving in Places. The Day Reader
Out of the Box: Art Collection