Media
Emilio Santisteban: 我们都有吃饭的权利
Claudia Andrea Gotta and Karen Michelsen Castañón reflect on “The Listening and the Winds” #2
Past –> Present #1
ifa Gallery Berlin at 30 feat. Kathrin Becker, Chto Delat und R&D
Radio Comunitaria La Voz Indigena
Colaboradio Show
Out of the Box: Art Collection
Virtual Tour: Notes of a Seeress
Cooperations
Yon Natalie Mik: Silk-Shop-Oriental-Body
Claudia Andrea Gotta and Karen Michelsen Castañón reflect on “The Listening and the Winds” #1
Cooperations
“Oriental Silk 鄉 綢”
Threads, Texture, Translation, Tactility
Ecologies of Listening #4
Cooperations
TRACING FRACTURES
ACROSS LISTENING, MOVEMENT, RESTITUTION AND REPAIR
Virtual Tour: The Listenings and the Winds
Exhibition’s booklet – The Listening and the Winds
Ecologies of Listening #3
Embodied Listening
TERRITORIO
Ecologies of Listening #2
Composing Listening
Ecologies of Listening #1
Expanding Radio
Cooperations
SunBorn Lullabies and Battle Cries von Memory Biwa
ITERATION # LISTENING
Cooperations
Imagine you are in a museum: What do you hear? Von Bhavisha Panchia
ITERATION # LISTENING
Mazen Kerbaj in conversation with Hatem Imam
Mazen Kerbaj invites Tony Buck plus one
Mazen Kerbaj invites Ute Wassermann plus one
Artist Talk: Station Point
Technoheritage and Restitution
Saout Radio
Interview with Anna Raimondo
Antiracist Curatorial Practice
Elsa M’bala: Sequence
Cooperations
HUDUD
Presentation with workshop participants, moderated by Omar Berrada and Saba Innab
Jace Clayton: Radical Discounts
Gallery Reflection #5
Anthropology, Vulnerability, and Curatorial Practice
Cooperations
Guy Woueté: Dominer l’Anonymat / Taming Anonymity
12 Years After the 2005 Revolts in French Banlieues: Decolonial Reflections on the Concept of Riots
Talk with Dariouche Tehrani
The Colonial Logic of Grenfell
Talk with Nadine El-Enany
Revolts, Resentment, Resignation. Negative Dialectics and Post-Marxist Socialism
Talk with Thomas Seibert
No One Leaves Delilah: A (W)rap on Riots
Artist Talk with Vaginal Davis
Riots: On Surplus Population/Housing/Monuments
Talk with Gal Kirn and Niloufar Tajeri
Performance by Zena Edwards
Riots. Dissent and Spectres, Control and Ruptures
Dead the Ends: Reading the Text of the 2011 Riots
Screening and Talk Benedict Seymour
Against Forgetting: Re-enactments and Dis/Assembling of the Multitude
Artist Talk with Chandraguptha Thenuwara und Ala Younis
Demos Noir: Coveting Crowds and Fearing Riots
Talk by Dilip Gaonkar
Riots. Dissent and Spectres, Control and Ruptures
Introduction by Natasha Ginwala, Gal Kirn, Niloufar Tajeri
An Afternoon with the Masks #1
Performance, Masking and 'the limits of empathy and identification’
An Afternoon with the Masks #2
Acting Decolonially - From Adrian To Zora: Black Women Performing
Driss Ksikes: Fatema Mernissi, a glocal feminist
Gallery Reflection #3 Art and (New) Intersectional Feminisms
Art and (New) Intersectional Feminisms
Cooperations
Introducing the Center of Unfinished Business
Cooperations
Show me your shelves
C&’s Center of Unfinished Business
Kathy-Ann Tan: Decolonial Aesthetics in “The Kissing Mask”
Some Reflections on Performance, Affect and Perception
Selection from the Library #2
Wura-Natasha Ogunji: Sweep
Every Mask I Ever Loved
Wura-Natasha Ogunji: If I loved you
Cássio Bomfim: Salve Exu Motoboy
Translinguistic Street Performance
Gallery Reflection #2
Traces, Legacies, and Futures: A Conversation on Art and Temporality
Selection from the Library #2
Cooperations
Aperture “Platform Africa”
Magazine Launch
Artist Talk: Watch your step / Mind your head
Hip Hop in Dakar
African urban, african culture, african future
Sapeurs
African urban, african culture, african future
Cooperations
Fraternité: Universality after Universalism
Égalité – Liberté – Fraternité
Cooperations
gal-dem
Creating Spaces for Women of Colour Online
Cooperations
Liberté: The language of Villa Sésini
Egalité – Liberté – Fraternité
Cooperations
Égalité: Melancholy of white men over 40
Égalité – Liberté – Fraternité
Gallery Reflection #1
Urban Decolonisation and Diasporic Formations
Cooperations
Status Quo Vadis?
On cultural practices beyond "the global arts quota"
Opening: Kolmanskop Dream
Interview with Pascale Marthine Tayou
