What if the radical potential (if any) of music exists not in its performance and consumption, but in how it is or isn’t archived? Jace Clayton (New York), artist and writer, also known as DJ/rupture, will explore this notion using examples that range from Julius Eastman and Lee Lozano’s conceptual hostilities to black radicality under the banner of brand sponsorships.
In the exhibition For the Record Jace Clayton is featured with his interdisciplinary project, Sufi Plug Ins, which intervenes into existing western bias of music production to make available different audio software based on non- Western musical concepts.
Jace Clayton is an artist and writer based in Manhattan, also known for his work as DJ /rupture. Clayton uses an interdisciplinary approach to focus on how sound, memory and public space interact, with an emphasis on lowincome communities and the Global South. His book Uproot: Travels in 21st Century Music and Digital Culture was recently published by Farrar, Straus and Giroux, New York. Recent projects include Sufi Plug Ins, a free suite of music software-as-art, based on non-western conceptions of sound and alternative interfaces; Room 21, an evening-length composition for 20 musicians staged at the Barnes Foundation; and The Julius Eastman Memorial Dinner, a touring performance piece for grand pianos, electronics, and voice. As DJ /rupture, he has released several critically acclaimed albums and hosted a weekly radio show on WFMU for five years. Clayton’s collaborators include filmmakers Jem Cohen, Joshua Oppenheimer, poet Elizabeth Alexander, singer Norah Jones, and guitarist Andy Moor (The Ex). Clayton is the UNC-CH/Duke Nannerl Keohane Distinguished Visiting Professor. He is a 2014 New York Foundation for the Arts Nonfiction Literature fellow, a 2013 Creative Capital Performing Arts grantee, and recipient of a Foundation for Contemporary Art artists award. He joined the Music/Sound faculty of Bard College’s MFA program in 2013. Clayton has been an artist-in-residence with the Lower Manhattan Cultural Council, Eyebeam Art + Technology Atelier, and a USC Annenberg/Getty Arts Journalism fellow. Clayton has performed in over three dozen countries, and has given artist talks at a number of museums, universities, and other institutions.