On Colonial Legacies

and Contemporary Societies

Center of Unfinished Business

Reading Room

Center of Unfinished Business

The reading room “Center of Unfinished Business”, curated by Julia Grosse and Yvette Mutumba from Contemporary And, is accessible to all visitors during ifa Gallery Berlin's opening hours. It provides a selection of books that are connected to the topic in various ways, showing the diverse impacts of colonial legacies and multiple realities of contemporary times. Among these books are loans provided by the association Each One Teach One (EOTO) e.V., a Berlin library on literature, history and current lifes of people of African descent. Furthermore, C& invites various cultural producers to read, perform and discuss in the reading room. C& is pleased that the “Center of Unfinished Business” is also supported by the Canadian foundation Musagetes.

This “Center of Unfinished Business” offers an especially designed reading room structure, which works as a knowledge producing platform. It is one option of bringing together content focusing on the issue of colonialism from subjective perspectives and associative. However, it is not about creating a library on colonialism that is consistent and complete, because: when would it ever be? Colonialism is an unfinished business and keeps existing in many ways.

The “Center of Unfinished Business” stretches the topic into the diverse areas affected by colonialism: What, for example, have Emil Nolde and the German expressionist artist’s collective “Die Brücke” to do with colonialism? It is their romanticizing and at the same time stereotyping perspective on the “beautiful savages” overseas that expresses colonial and biased mindsets.

How is a book about Wall Street and the Occupy movement related to colonialism? The centuries-old ways of taking away and selling off goods from Africa and other, non-Euro-American places and the exploitation of its people built the basis of the successful stock market companies working on a global scale today.

What is a novel by Alexander Pushkin doing in this reading room? In case you did not know, Pushkin was a Black man - but most history books do not mention that. Furthermore, what have standard works such as E. H. Gombrich’s “The Story of Art” to do with colonial legacies? There are so many books claiming to comprehensively survey (art) history, while at the same time completely ignoring anything external to Euro-American positions. Sometimes it is important to literally point a finger at the blanks to reveal problematic writings of histories.

The “Center of Unfinished Business” shows ground-breaking, fantastic and empowering books, the - but also the ugliness of colonialism. Titles, celebrating racist and misogynist theories as a given. It would have been possible to just ignore these books but in order to understand the colonial legacies in our contemporary societies, we must acknowledge the persisting impact of these ignorant and alarming mindsets and practices. Thus the “Center of Unfinished Business” does not brush these books over as no longer relevant but puts them right in the middle of and next to  brilliant, strong voices of freedom fighters and manifestos and theories of resistance. With this approach the reading room allows a reflection on the many forms of colonial legacies in our present-day realities.

Chapter 1

Don't touch my hair

Music Video, 4'25"

Lynette Yiadom-Boakye
Complication, 2013

Oil on canvas, 200 x 250 cm, 78.7 x 98.4 in
Courtesy the Artist, Corvi-mora, London and Jack Shainman Gallery, New York

London-based artist Lynette Yiadom-Boakye, the painter who inspired Solange’s “Don’t Touch My Hair” video.

Muthoni The Drummer Queen
Kenyan Message

Music Video, 3'37"

Olufemi Terry
There are startling, unambiguous parallels


Olufemi Terry, winner of the 2010 Caine Prize for for African writing takes a closer look at the revival of interest in masquerades and folk traditions celebrated in several coffee table books.

Walter Wippersberger
Dunkles rätselhaftes Österreich

Documentary, 45"

A Tribe Called Quest
We The People

Music Video, 3'15"

Kendrick Lamar

Music Video, 6'55"

Damon Sajnani
HipHop’s Origins as Organic Decolonization


Damon Sajnani aka ProfessorD.us is a HipHop artist, activist, and academic. His research interests include Africana culture, politics, and philosophy, socio-political theory, race/racism, geopolitics, social justice, and global HipHop studies.